Pressure On (Album Version) 4:56
Written by Roger Taylor
Appears on: Electric Fire, Track 1

Pressure On (Single Version) 3:26
Written by Roger Taylor
Appears on: UK Pressure On 7" vinyl, UK Pressure On CD single, UK Pressure On CD single (Independent Manchester United Supporter's Association Edition)
Like most Roger single edits, this is another good one. The intro is largely cut and much of the instrumental sections are now gone... and you can hardly tell. Quite well done. Still, stick to the album version.

A Nation Of Haircuts (Album Version) 3:32
Written by Roger Taylor
Appears on: Electric Fire, Track 2

A Nation Of Haircuts (Club Cut) 3:45
Written by Roger Taylor
Appears on: UK Surrender 7" vinyl, UK Surrender CD single 1
Probably the best Queen or Queen related club remix. Features the typical fast tempo club beat and some neat sound effects. Thankfully, some of the guitars have stayed in as well. Not as good as the album version but at least it's not as bad as the You Don't Fool Me mixes.

Believe In Yourself (Album Version) 5:00
Written by Roger Taylor
Appears on: Electric Fire, Track 3

Surrender (Album Version) 3:36
Written by Roger Taylor
Appears on: Electric Fire, Track 4

Surrender (Radio Mix) 3:40
Written by Roger Taylor
Appears on: UK Surrender 7" vinyl, UK Surrender CD single 1
A fairly major remixing of the album version. Definitely not an edit, as it's longer than the original. The Radio Mix has a really different yet familiar sound compared to the album version. Thankfully, Treana Morris' vocals have remained in place too.

Surrender (Live Version) 4:11
Written by Roger Taylor
Appears on: UK Surrender CD single 2
Recorded live at Cyberbarn. A good live version of the song. The backing instruments are somewhat subdued and sparce. Roger's lead vocal carries the song (including Treana's parts).

Surrender (Original Version) 3:37
Written by Roger Taylor
Appears on: Electric Fire CD Acetate
Appearing on a CD acetate, the original version of Surrender features Jonathan Perkins, not Roger Taylor on lead vocals. Treana Morris' vocal parts are the same that appear on the album version. Roger sings the chorus just as it appears on the album version as well.

People On Streets (Album Version) 4:11
Written by Roger Taylor
Appears on: Electric Fire, Track 5

People On Streets (Mashed Mix) 3:33
Written by Roger Taylor
Appears on: UK Pressure On 7" vinyl, UK Pressure On CD single
Another club/dance mix. Surprisingly, it's not all that much different from the album version. There is a quicker tempo backbeat and some sampled vocals added. Not bad, but again, I'd stick to the original.

The Whisperers (Album Version) 6:05
Written by Taylor/Evans
Appears on: Electric Fire, Track 6

Is It Me? (Album Version) 3:23
Written by Roger Taylor
Appears on: Electric Fire, Track 7

Is It Me? (Original Version) 4:28
Written by Roger Taylor
Appears on: Electric Fire CD Acetate
A very rare, original version of 'Is It Me?' appears on a CD acetate of Electric Fire. At 4:28, it's obvious that the song is over a minute longer; featuring extra verses and chrouses not present on the album. Click here to see the full lyrics of the original version.

No More Fun (Album Version) 4:13
Written by Roger Taylor
Appears on: Electric Fire, Track 8

No More Fun (Live Version) 4:22
Written by Roger Taylor
Appears on: UK Surrender CD single 2
Recorded live at Cyberbarn. A very good, rocking version. It doesn't stray much from the album version, which is a good thing. The performance has lots of energy, which comes across well in the recording.

Where Are You Now? (Album Version) 4:48
Written by Roger Taylor
Appears on: Electric Fire, Track 10

Working Class Hero (Album Version) 4:41
Written by John Lennon
Appears on: Electric Fire, Track 11

London Town - C'mon Down (Album Version) 6:59
Written by Roger Taylor
Appears on: Electric Fire, Track 12

London Town - C'mon Down (Single Mix) 3:22
Written by Roger Taylor
Appears on: UK Surrender 7" vinyl, UK Surrender CD single 1
A major single edit of the album version. The intro is much shorter and the outro is now gone. It gets the point of the song across very well in much less time.