|
|
Procession
(Album Version) 1:12
Written by Brian May
Appears on: Queen II, Track 1
Procession (The
eYe Version) 1:14
Written by Brian May
Appears on: Queen:
The eYe
From
the Electronic Arts videogame, Queen: The eYe. This is almost the entire
version that appears on the Queen II album. The track ends just before the
fade into "Father To Son."
Father To
Son (Album Version) 6:12
Written by Brian May
Appears on: Queen II, Track 2
|
White Queen (As It Began)
|
White Queen (As
It Began) (Album Version) 4:33 
Written by Brian May
Appears on: Queen II, Track 3
White Queen (As
It Began) (German Edit)
4:16
Written by Brian May
Appears on: German
Queen Compilation vinyl
Rare and relatively unknown edit from a 1981 German compilation 12"
album. The track was edited down to fit onto vinyl with the track starting
at Freddie's vocals.
White Queen (As
It Began) (EP Version) 4:35
Written by Brian May
Appears on: UK
Queen's First EP 7" vinyl, Japan
Queen's First EP 3" CD single, UK
Queen's First EP 3" CD single, UK
The Singles Collection Volume 1, US
Queen's First EP CD single
A standalone version of the song that doesn't include the minor segue
from Father To Son.
White Queen (As
It Began) (BBC Session
4) 4:46
Written by Brian May
Appears on: Unreleased
From the once thought "lost" BBC Session 4. This is a beautiful
version of the song and it is definitely a shame that it is not officially
available. Unlike the album take, this version is much more similar to
the live versions of the song. It features piano throughout the track,
including a 1 min. 20 sec. piano/guitar solo. At one point, this was very
rare, but now can be found online and on many bootlegs.
White
Queen (As It Began) (Rumored
home recording, 1969?)
Written by Brian May
Appears on: Unreleased
It is rumored that a home recording exists from Brian. Apparently this
song existed in some form during the Smile era, probably known then as
As It Began. So far no information has been presented by Brian, Queen,
or private collectors as to its existence.
Some
Day One Day (Album Version) 4:21
Written by Brian May
Appears on: Queen II, Track 4
The Loser In
The End (Album Version) 4:01
Written by Roger Taylor
Appears on: Queen II, Track 5
Ogre
Battle (Album Version) 4:08
Written by Freddie Mercury
Appears on: Queen II, Track 6
Ogre Battle (BBC Session 3 edit) 3:57
Written by Freddie Mercury
Appears on: At
The BBC, At
The Beeb
An edit of the full BBC Session 3 version. The
opening guitar is edited out due to damage on the master BBC tape. Freddie's
vocals are a bit more relaxed, but in general, this version sounds very
similar to the album cut.
Ogre Battle (BBC Session 3) 4:57
Written by Freddie Mercury
Appears on: Unreleased
The same as the Session 3 edit, just with the guitar solo intact at the
beginning. It is unknown if a full undamaged version exists with the guitar
solo intro. The intro is available on many bootlegs, but in very poor
quality.
Ogre Battle (Hollywood
Records 1991 Remix) 3:29
Written by Freddie Mercury
Appears on: Queen
II Hollywood Remaster (1991)
Not a bad remix from Hollywood Records. The same as the album take, but
with different guitar effects, added drums, and various added bits.
Ogre Battle (Acetate Version)
3:04
Written by Freddie Mercury
Appears on: UK
Ogre Battle 7" acetate vinyl
An edit of the BBC version. It starts when the last scream
is given (fade in) and fades out during the last scream. The guitar outro
is not on the disc.
|
The Fairy Feller's Master Stroke
|
The Fairy Feller's
Master-Stroke (Album Version) 2:39
Written by Freddie Mercury
Appears on: Queen II, Track 7
Nevermore (Album Version) 1:17
Written by Freddie Mercury
Appears on: Queen II, Track 8
Nevermore (BBC Session 4) 1:25
Written by Freddie Mercury
Appears on: Unreleased
At one time, this was one of the most sought-after rare recordings. Now
easily found on bootlegs or download. The first minute of the song is
similar to the album version until drums and guitar come in at 0:56. I
prefer this version to the album take because of the great vocals and
surprising heaviness at the end.
Nevermore (Early Instrumental Take a.k.a. Never
More) 2:00
Written by Freddie Mercury
Appears on: Unreleased
This track premiered at the 20th International Fan Club Convention in
Prestatyn. Mostly just piano and bass.
|
The March Of The Black Queen
|
The March Of The Black Queen (Album
Version) 6:33
Written by Freddie Mercury
Appears on: Queen II, Track 9
The March Of The Black Queen (BBC Session 4)
Written by Freddie Mercury
Appears on: Unreleased
This has yet to be leaked onto bootlegs or the internet. Supposedly
it is just an edit of the album version or the album version in full.
The March Of The Black Queen (Takes 3-5) 6:45
Written by Freddie Mercury
Appears on: Unreleased
This track premiered at the 20th International Fan Club Convention in
Prestatyn. These takes are attempts at a backing track (piano, bass, drums/percussion).
Freddie Mercury counts-in every time.
Funny How Love Is (Album Version)
2:50
Written by Freddie Mercury
Appears on: Queen II, Track 10
Funny How Love Is (Digital
Master Sampler Edit) 2:51
Written by Freddie Mercury
Appears on: Digital
Master Sampler
Great single edit of the album version. Fades in with the last few vocal
chords of The March of the Black Queen and segues nicely into the piano
chord/percussion opening of Funny How Love Is. The track ends with a fade
out. A really good sounding edit that is becoming easier to find among internet
traders. Note that the Digital Master Sampler itself is becoming hard to
find in good condition due to a manufacturing defect in the disc.
Funny How Love Is (Japanese 3"
CD Single Version) 2:50
Written by Freddie Mercury
Appears on: Japan
Seven Seas of Rhye 3" CD single
The only true stand-alone mix of the song. Starts with a piano chord
and percussion background. The track ends like the Digital Master Sampler
version with a fade out.
Funny How Love Is (UK 3" CD Single Version)
3:14
Written by Freddie Mercury
Appears on: UK
Seven Seas of Rhye 3" CD single
Starts out very differently from the other edit versions. This version
starts with the end part of March Of The Black Queen, beginning with the
"forget your sing a-longs and your lullabies" section. From the
end of the MOTBQ section, it segues into Funny How Love Is just like the
album.
Funny How Love Is (Takes 3-5) 6:30
Written by Freddie Mercury
Appears on: Unreleased
This track premiered at the 20th International Fan Club Convention in Prestatyn.
These takes are attempts at a backing track (piano, bass, drums/percussion).
Freddie Mercury counts-in every time.
Seven Seas Of Rhye (Album Version)
2:48
Written by Freddie Mercury
Appears on: Queen II, Track 11
Seven Seas Of Rhye (Alternate Mix)
Written by Freddie Mercury
Appears on: UK Seven Seas of Rhye 7" vinyl promo
One of the rarest Queen promos ever released.
This promo release features an alternate mix of Seven Seas of Rhye with
a different (and incorrect) backing track. The promos were quickly recalled
and destroyed; only 5 or so are now rumored to exist.
Seven Seas Of Rhye (Hollywood
Records 1991 Remix) 6:35
Written by Freddie Mercury, Remixed by Freddy Bastone
Appears on: Queen
II Hollywood Remaster (1991)
A dance mix, with the typical dance track backbeat. Features samples from
Crazy Little Thing Called Love, Mustapha, White Man, and other Queen songs.
A huge departure from the album track.
|
See What A Fool I've Been
|
See What A Fool I've Been 4:38

Written by Brian May
Appears on: US
Seven Seas of Rhye 7" vinyl, UK
Seven Seas of Rhye 7" vinyl, Queen
II Hollywood Remaster (1991), UK
Seven Seas of Rhye 3" CD single, Japan
Seven Seas of Rhye 3" CD single, UK
The Singles Collection Volume 1
Non-album B-side, also appearing on the US Queen II Remaster. Awesome heavy
blues track with wicked vocals by Freddie. The track is heavily influenced
by "That's How I Feel" by Sonny Terry & Brownie McGhee. A very interesting
track and worth having.
See What A Fool I've Been (BBC
Session 2) 4:19
Written by Brian May
Appears on: Unreleased
Instrumentally similar to the definitive version, but featuring different
lyrics for a few of the verses. Surprisingly these alternate lyrics were
used in all known live performances. Brian's guitar work is much thicker
for this take and Freddie's vocals are a bit more standard.
|